The Man Who Killed Don Quixote
Where: PANTHEON CINEMA NICOSIA
When: 04/10/2018 - 17/10/2018
Tickets: €8
About the event:
Terry Gilliam has brought to Cannes his long-gestated and epically delayed movie version of Miguel de Cervantes’ Don Quixote.
More about the event:
Terry Gilliam has brought to Cannes his long-gestated and epically delayed movie version of Miguel de Cervantes’ Don Quixote, a biblical ordeal of wrecked sets, collapsed funding and bad luck that has outlived two of the actors once cast – John Hurt and Jean Rochefort – and which has been attended by colossal legal acrimony and brinkmanship right up to the red-carpet steps themselves, as the former backer Paulo Branco sought to injunct its showing here as closing gala. A French court found against Branco last week, but its screening here has been prefaced by a solemn lawyerly announcement respecting Mr Branco’s future claims. It’s a backstory of enormous drama, well told in Keith Fulton and Louis Pepe’s documentary Lost in La Mancha, all the way back in 2002, when it looked as if Gilliam’s Quixote film, like Orson Welles’, would never be made.This is a film with a sentimental respect for its source material – but Gilliam has new and vigorous insights to offer. It’s as if he is politely waving away our obvious view that he is a Quixote figure tilting indefatigably at movie-business windmills. No, the key player here is Sancho Panza: the servant, the enabler, the rational sceptic whose detachment is faltering, the sorcerer’s apprentice who doesn’t realise that he is being inducted into a mysterious art of creative self-delusion.
